Dover Display in short

Dover Display is a tiny family that explores the classic British typefaces, but updates them for a new generation. It consists of only four styles, but all of them work hard to compensate. The Serif styles lean into their baroque curves, and the Sans styles display a strong humanist sense of elegance and smoothness.

The typefaces support our default set of languages – over 200 – and come with contextual alternates to avoid collisions, many alternate number styles, alternates for some glyphs, and much more. More detail can be found in the technical information section.

☞ See also: Dover Text, the logical extension to the family.

Behind the design

Dover is a long-running exploration of the quintessential British types. It is an attempt at historical design fiction: what if Caslon and Gill Sans had been designed by the same person? What if that person were me?

It may seem a bit arrogant, but every revival, digitisation, homage, re-evaluation, cover version, new arrangement, translation is a new version of the old thing, the same but different. With that mindset, anyone should be able to make new interpretations. Similarly, the validity of a Dutch designer rewriting English classics might be questionable, but at the same time an outsider sees things with different eyes.

“When in doubt, consider Dover.”

Defaults don’t have to be boring

Caslon has long been considered a kind of ‘default’ serif. There’s even an old typesetter’s saying – “when in doubt, use Caslon”. But this implies a particular lack of remarkability, and original Caslon drawings are by no means unremarkable. The larger sizes sparkle off the page, and the italics are incredibly curly and dynamic. The upright capitals are crisp, large, imposing, and the lowercase has a lot of warmth. The pairing of Dover Serif Display in its Regular and Italic embraces these features, and tries to remind you that maybe Caslon isn’t that default. Maybe Caslon can be very exciting.

A humanist–transitional sans-serif face

Translating serif to sans

Dover Sans Display plays a similar role. It is a direct humanistic sans variation of the Serif subset. It takes some of the good ideas of Gill Sans, another ‘default’ face, but works hard to optimise it for big use in a way that harmonises with the Serif styles. Surprisingly, many features of Gill Sans seem directly quoted from Caslon types. With that principle in hand, it was easy to give the Sans subset a place in the family.

General information

Robin Mientjes
2016, 2020
Language support
Over 200 languages (

Technical summary

Functionally, Dover Display is a family for headline work and up. It sets relatively wide, with a tall x-height that is unified among the styles. It includes numbers in six settings: lining and old-style, tabular and proportional, plus sub- and superscript. It has a selection of useful dingbats and symbols. It has diacritics that support the standard Tiny Type Co. language set, and they are connected to even more letter combinations through the OpenType Mark feature, which automatically positions diacritics to base glyphs.

OpenType features

  • Standard ligatures
    Affine fjord Affine fjord
  • Contextual alternates
    Logjams Logjams
  • Tabular numbers
    Over 12,500 Over 12,500
  • Old-style numbers
    In the year 1988, … In the year 1988, …
  • Capital-aligned alternates
  • Automatic fractions
    2 1/3 cups 2 1/3 cups
  • Stylistic set: alternate a
    Daggers and rapiers Daggers and rapiers
  • Stylistic set: alternate g
    Daggers and rapiers Daggers and rapiers

Specimen PDF

License Dover Display

Choosing the right license for you. The Tiny Type Co. license is simple to read and covers almost all use cases for almost all users – but please read it to make sure. If you have any questions or requests, get in touch.

Trial fonts. Download trial files, or test and rent simply through Fontstand.

Custom. Get in touch for customisations, corporate licenses and more.

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